I feel slightly odd, like I’m actually living in two parallel worlds; or, at the very least, jet-lagged and trying to zoom between two time zones. Only rather than London/ Los Angeles, the zones are 2010 and 1941. I disappear to write and vanish into wartime Tyneford, then return to the kitchen for a cup of tea, a chat with Mr S and to make a phone call or two, and I feel very discombobulated. Time-lagged.
When I approach the end of a draft the story takes over and I start to think incessantly about it. I don’t sleep very well and, when I do, I dream of Dorset long ago. Out walking with Mr S, he complains that I’m quiet, but it’s not quiet in my mind, or at leas they’re not quiet, since they are chattering very loudly in my head. Before you start to panic, and think you need to send Mr S or Jocasta or Agent Stan concerned e-mails, let me assure you that this is a hazard of the job. Many writers talk about hearing snatches of conversation between their characters, and that part of getting into a story is learning to listen to them.
When that first draft is finished and set aside for a few weeks to rest and simmer, it will become peaceful again. My noisy characters will be held inside the manuscript, waiting to be read so that they can talk again. For now, I might go out to the summerhouse and hide, but somehow I expect they’ll be waiting for me there, impatient to get on with the story.